Artemisia Gentileschi around 1622: The Shaping and Reshaping of an Artistic Identity
Author Mary D. Garrard furthers her study of Artemisia Gentileschi in this ground-breaking investigation of her two little-known paintings.
Taking as case studies, the Seville Mary Magdalene and the Burghley House Susanna and the Elders circa 1621-22 attributed to Artemisia, Garrard examines the ways that identity, gender, and market pressures interact both in the artist's work and in the criticism and connoisseurship that have surrounded it.
|Author||Mary D Garrard|
|Publisher||University of California Press|
|Dimensions||254mm x 178mm x 13mm|
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