The central argument of Chromophobia is that a chromophobic impulse - a fear of corruption or contamination through colour - lurks within much Western cultural and intellectual thought. This is apparent in the many and varied attempts to purge colour, either by making it the property of some 'foreign body' - the oriental, the feminine, the infantile, the vulgar, or the pathological - or by relegating it to the realm of the superficial, the supplementary, the inessential, or the cosmetic.
Chromophobia has been a cultural phenomenon since ancient Greek times; this book is concerned with forms of resistance to it. Writers have tended to look no further than the end of the nineteenth century. David Batchelor seeks to go beyond the limits of earlier studies, analysing the motivations behind chromophobia and considering the work of writers and artists who have been prepared to look at colour as a positive value. Exploring a wide range of imagery including Melville's Great White Whale, Huxley's Reflections on Mescaline, and Le Corbusier's Journey to the East, Batchelor also discusses the use of colour in Pop, Minimal, and more recent art.
|Dimensions||20.7 x 15.1 x 0.8 cm|
UK Standard Delivery
Delivery within 7 days with Royal Mail 24 or within 10 days with Royal Mail 48. More information on delivery
Delivery within 15 days. More information on delivery
UK Express - Signed Delivery
Delivery within 5 days. More information on delivery
Free Click & Collect
Buy online and collect in-store. Simple and convenient. More information on Click & Collect
We hope that you will love everything you buy from us, however, if you're not completely happy with your order you can return it to us within 14 days of receipt.
Exceptions apply to made-to-order products. More information on Returns & Refunds
You might also like
Email when in stock
Please enter your email address below and we will contact you when it comes back in stock.
We will send you an email when this product arrives in stock.